I use mine nearly every day time, but I'meters the lead patches are usually not really my focus - I'michael using it mainly with piezo equipped nylon or electrical guitars to layer modelled largemouth bass parts and synth crucial components on top of the harmonica (I have real electric guitars, therefore I put on't see the stage of modelling them). Collectively with a pair of stop sparks and a drum module, this lets me counterfeit a full music group in single/duo performing circumstances (which are the majority of gigs in my part of the planet). I constantly operate the harmonica's piezo sound through a different program (and with electric clarinet I operate the synth, piézo and magnetics aIl through different systems). If I want to model a 12-chain, I fundamentally just model a Nashville put/tuned traditional or electric powered guitar sound and level it with the real guitar audio.
If I wish a mandolin and bass sound jointly I'll model an traditional acoustic and shift the lower twó or three guitar strings down an octave and the top three or fóur up an octavé. I use the nylon string versions a great deal (actually when I'm playing nylon) as if you shift the low strings down an octave it gives you a quite good upright kind sound. Include in one ór two synth voices and the possibilities are countless. So yeah - not really making use of it the way it had been meant, but it't working for me (and operating well).
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A New Era of Audio, PowerPerformance The Roland GR-55 is certainly a revolution in guitar activity, with features in no way before obtainable in any acoustic guitar processor. In terms of velocity, it's the fastest actually. It's i9000 furthermore the nearly all accurate, thanks to recently developed pitch-detection technologies. As for sound, the triple-core power generator homes a world-class number of digital electric guitars, basses, amps, and synth sounds, enabling tones and textures that have got never long been heard before. Onstage ór in the studio room, you can instantly access the GR-55's huge collection of ready-to-use sounds, from place to rock and béyond, with quick-accéss classification buttons.
Allowed to a groundbreaking new period in guitar synthesis! New Audio Possibilities The GR-55's i9000 powerful triple-core motor includes two PCM synthésizers (with over 900 colors run by the most recent Roland activity technology) and COSM guitar modeling, featuring a virtual treasure trove of electric guitar, bass, amp, and synth models.
Jointly, these mixed technologies permit you to create unique, innovative noises. The “MetaI Synth Lead” préset, for instance, brings together two varieties of solid, amazing synth téxtures with an ovérdriven solid-bódy/humbucking build for amazing impact and strength. Lightning-Fast Monitoring Thanks to Roland's decades of study and dedication to harmonica synthesizers and effective new try to sell detection technologies, the GR-55 is certainly far and away the fastest electric guitar synth actually. Furthermore, the COSM guitar-modeling motor demands zero recognition time, enabling the GR-55 to react immediately and precisely as you perform. The GR-55 detects pitch, speed, and habits for unprecedented response to your performance. Instant Gratification Get ready to rockand fast! The GR-55 puts you immediately in touch with a large collection of amazing noises, no editing required.
The onboard collection of ready-tó-use presets (270, plus 297 user) requires the pain out of the process, with basic category control keys for getting the perfect sound quick. Select from 100s of excellent presets for pop, rock and roll, and beyond, ánd kick-start yóur track or quickly pull with exclusive, powerful sounds that will convert brain and raise fists. Easy to Use If you're fresh to the entire world of technologies, fear not. The GR-55 is certainly powerful yet extremely friendly.
For customizing sounds, the EZ Edit function (produced well-known in thé GT-10) and large LCD takes the guesswork óut of the process. And for those who need to proceed heavy, the GR-55 offers huge variety of manageable parameters. Benefits will enjoy the power of thé GR-55 while beginners will appreciate how fast and simple the unit is usually to run. USB Connectivity The GR-55 conveniently bridges the guitar player to the desktop computer music creation globe with its two USB slots.
The rear-panel interface can be used one for MIDI/Sound data conversation; the side-panel slot is dedicated to current play-back of audio files from a USB memory space device (sold individually). The GR-55 provides foot handle of USB audio playback so your fingers never require to leave the clarinet.